Aerosmith

       Aerosmith needs no introduction rather than, if you do not like Aerosmith, it's kind of un-American. With all of the albums and songs they have produced over the years (14 albums, excluding tomorrow's, and 21 Top 40 charting singles), there has to be at least one song that you like. The Boston bred rock band (Steven Tyler, Tom Hamilton, Joey Kramer, Joe Perry, Brad Whitford) is an American tradition. Everyone heard their parents playing their albums on their record players when they were little or the old fashioned 5 CD changers as they got older; last time I listened to my dad's iPod, it was full of  Aerosmith. If the band can successfully traverse their way through all of these levels of technology (records, tapes, CD's, and iPod's) they can have a successful album release tomorrow (11/6).
       Music From Another Dimension! is their first album release in eight years, and there is no doubt in my mind that the band is still amazing. The fact that they have not taken a break from touring over the years is clear if you have seen any of their promotional performances on shows this past week or so. The band is fantastic live; a group of drunken looking assholes turn into this amazing iconic rock band on stage that never misses a beat. Steven Tyler may not, does not, have the best voice, but it is amazing for this band and the sound they are looking to achieve; no one can scream like Tyler can, and the only person that could ever harmonize with Tyler is Hamilton.
       "Walk On Water" is great and, as misogyny is acceptable only in good rock music, that is what makes songs like this or "Rag Doll" or "Love In An Elevator" so great. The sound is pure rock, and it is fantastic. 
       "Dude (Looks Like A Lady)" is just weird, but fantastic. When it was written, everyone had that awful long rock hair and wore those tight pants, and now all these 'guys' are into manscaping and some of them still really like those too tight pants, so it's great again.
       The band can turn around from songs like "Eat the Rich," or any of those songs mentioned above, to make "The Other Side," "Angel," and "Crazy"; they are going to be great for a long time because they have so much diversity and talent in their small group. After all of these years, the band is still able to come up with lyrics that people just have to sing along with, and that will make them last. And the fact that the band wrote and composed "Janie's Got A Gun" should be praise enough (or at least ensure that they will always get a paycheck).
       Most covers of The Beatles are cringe-worthy, but Aerosmith's is good. It is not better than the original (that would be a slightly blasphemous claim to make), but they did choose the best song, for the band, to cover. "Come Together" is the only song that sounds right coming out of that rock sound, with Tyler's scratchy voice and his screams that just sound like they are pulled from deep in his gut.
       The band has produced amazing songs like "Blind Man" and "Walk This Way". They have warring sounds and meaning, but both are wonderfully fantastic. "Blind Man" has not had an equal in all the years since its release, and everyone knows "Walk This Way"; it's a classic.
       Of course, there are those classics like "Cryin'," "I Don't Want to Miss A Thing," and "Jaded". Everyone has heard, at least one, of these songs. They are all fantastic in their own way, whether it is a great line like "that kind of love was the killing kind" or the terrific use of violins in "I Don't Want to Miss A Thing" (a string chamber, or even one violin, almost always makes a song better), or even the echoing guitar sound in "Jaded" that slides along with lyrics like "in all its misery, it will always be what I love and hated".
       "Amazing" is just amazing, seriously. It is full of these great sayings like "you have to learn to crawl before you walk," "life's a journey, not a destination," and "you can't fly with broken wings," along with Tyler's great lyrical skills with lines like "I am saying a prayer for the desperate hearts tonight". It's a just an anthem that is reminiscent of everything you want to hear at the end of a concert, or what you need after a long day.
       If you do not like "Dream On," I just, I literally have no words to describe how I would feel; just listen to it. The lyrics are amazing; any song that begins with "every time I look in the mirror, all these lines in my face getting clearer" is going to be great. The song itself has that classic rock sound, as all of Aerosmith's songs do, but it has the clean acoustic rock sound, like the type you would hear in "Hotel California" (The Eagles are the only other American band as iconic as Aerosmith). Tyler stated that, when he first came up with the chords for the song, he had been messing around on his father's piano and knew nothing about writing music, just that he liked how those two notes sounded and that he thought the phrase, "dream on," would sound good if sung over those notes. It may be a rock ballad rather than a gritty rock anthem, but a song that says "sing it with me just for today, maybe tomorrow the good lord will take you away" or "dream until your dreams come true" is fantastic, regardless of anything the band or its members are able to achieve in their careers; and no one can sing this song the same way that Tyler can. On one of their promotional talk show stops, Steven Tyler was discussing how he came up with the melody and lyrics for "Dream On" and, whilst doing so, still seemed excited about the entire process of making music. To me, that is amazing; if he still gets excited about the process of making music, and loves to do so, I am still going to spend my money on whatever tours or albums they want to put out there. 
       Buy Music From Another Dimension! tomorrow; no matter how long the band has gone without visiting the studio, any of their past songs will convince you that their newest album will be great.
- E

Red

       Some day soon, I will not have work with those crazy awful retail customers and I will leave the hospital parking lot before the streets fill with fog and drunken assholes in gas guzzlers; or maybe I will just be prepared with a ready-to-go post. Until then, I will attempt to jot out short posts that, while not thoroughly thought through or edited, will still give you something more than just a sentence and a song. 
       Taylor Swift may not be for everyone but, regardless of your personal taste, her new album, Red, is amazing; there will be at least one song that you like. Between the time when her last album was released in 2010 and now, Swifty actually grew up, and her lyrics reflect that. Her album is no longer dripping with sickly sweet love songs and childish lash outs at different guys she has dated, but the lyrics sound as if she composed herself before just spewing forth her feelings, then wrote them in the way that would best be represented in a song (in the past, her lyrics have sounded more like something written to be a diary page or poem; it did not have that rhythm or lyrical manipulation that you need for a good song.).
       "Holy Ground" and "Stay Stay Stay" are still dripping with that sound of the original Swifty albums, but if you listen to the lyrics, they are so much more mature. It makes the songs actually enjoyable as something more than a song to throw in when you know you're going to have to stay awake on a long car trip. Composition wise, these songs are a great mixture of the old and new Taylor Swift, while offering a great segue into the more mature Swifty sound.
       "All Too Well" is just as wonderfully grown up as the rest of the songs on Red; it's refreshing. It kind of makes me want to cheer for Swifty and congratulate her on doing a good job; I promise not to make fun of Swifty for her "Teardrops On My Guitar" days as long as she swears not to bring them back. "Treacherous" and "I Almost Do" fall under this same category. They are both such great songs and sound so oddly, terrifically grown up coming from the Taylor Swift who has been, in the past, so well known for her teenage pop anthems. 
       There were a lot of people who seemed kind of enamored with "Begin Again," but I never really appreciated it; the lyrics sounded forced, to me. When I saw her CMA performance of the song, this was only further confirmed, because all of her facial emotions seemed fake and it felt like she was pandering to the crowd. It's not cool to lie to people Swifty, but props for making this song; in theory, it's a really slightly good song.
       "Red" is just pure Swifty; it's a catchy break up song (though, listening to this album, Taylor Swift either had an inordinate amount of things to say to this one guy [and a lot of different emotions], or she has dated an amazing number of guys over her musical career; the only ones I can remember are Sharkboy and... and... Maybe I should start reading People; or watching E! News). Anyways, however many guys Swifty had to have an awful or great relationship with to produce this album, I am glad she dated them; the album is, as reiterated a myriad of times already, great.
       Then, there are her two collaborations on the album. Her song, "The Last Time," with Lightbody gets better the longer you listen to it. I thought that the two artist's voices just did not mesh well together, but once you get about two and a half minutes in, you can hear where they hit their stride. The song is not bad, it's actually good and Lightbody supplies a wonderfully alternative background for the song (and you cannot deny that his voice does not have that 'haunting' quality that makes you listen), and the lyrics are actually good. Again though, about two and a half minutes in is when the song becomes really great, you can hear the vocalists actually working together to create a harmony and an amazing song. "Everything Has Changed" with Ed Sheeran is, surprisingly, great. Their voices work perfectly together; who would have thought? Of course, being with Sheeran, the lyrics are great and wonderfully mature and well written; and whomever thought of allowing the guitar to take precedence over the rest of the instruments, even if it is quiet, is a great artist. They do sound fantastic together and the lyrics are terrific in their simplicity.
       "Sad Beautiful Tragic" is just that; it's simple and slightly heartbreaking, but the composition is fantastic. It is just so wonderfully grown up; I do not think I would be this astounded by the album's sound if it had come from anyone besides Swifty, but this is just a great turn around.
       I actually really love "The Lucky One," a lot; apparently, Taylor Swift wrote it about her own fears for the future, and it turned out great. Just, the composition and the lyrics, it's great, all over. It is so blatantly true that it's amazing at the same time that it is completely heartbreaking. I mean, with how everything is run today, it's better to be young, doused in grief and, the warring, expectations, than to be old and full of experience and accomplishment.
       "I Knew You Were Trouble" is just great, period. That song, along with "State of Grace" and "We Are Never Ever Getting Back Together" show that Swift has, finally found her footing in that gray area between country and pop, without wavering too far to one side (why did she not just underlay each song with country beats and, simultaneously, pop back beats from the beginning?). The songs are terrific and, while they do fall in that gray area of genre specifics, they do not sound like they are lost, jumping around and trying to find their place like so many of her previous album songs did. 
       Regardless of how 'pop-y' the song may sound, I just have to play "Starlight" on repeat sometimes, and "22" is growing on me, quickly. The songs are, while crazy upbeat, just sound so much better than her previous attempts at creating a pop anthem-esque song. When she says "we're happy, free, confused, and lonely in the best way" it is kind of great. Swifty actually went back to her youth, dug up a 'story,' and made a fantastically mature song that you can love and, when she says "worrying so much about things you can't change" or "dream impossible dreams," it just makes me happy (the only time the song loses it for me is that whole line about getting married and having kids but, if you ignore that, it's great).
       I just cannot get over how mature the lyrics are in each of these Red songs. Taylor Swift took some time off to mature, and came back with something amazing. So, congratulations to her; she actually deserved to win entertainer of the year at the CMA's this year because of this album (I mean, obviously she did not, but she deserved it). Buy Red (it was already leaked once, don't just steal her songs again) and play it on repeat, because, for once, the songs get better the more you listen to them.
- E

"Calm My Soul"

"Calm My Soul" Paper Route
You just get it, Daly. I'll listen to this about twenty times now...
- E

Sorry

       I lied in my last post about presenting you with some grand post this morning (and probably will not get to it until sometime tomorrow night, depending on visiting hours). Though, you would think that, after all these years, someone would find a smell other than antiseptic ass for hospital rooms; nothing can bring on a headache quicker. Until then, there is nothing better to clear your head after leaving that room than some Foxy with the windows down, the bass up, and your speakers turned up to 40.
       On the other hand, every time Rosenberg sings "my liver may be fucked, but my heart is honest" I fall in love with his songs just a little bit more. It's the completely other end of the spectrum from Foxy Shazam, but just as fantastic (and it just makes me feel a little better).
- E

"On Your Own"

"On Your Own" Green River Ordinance
       There is a reason for these quick and easy song posts and I am just thanking you guys in advance for accepting them as they are.
- E

"Even If It Breaks Your Heart"

"Even If It Breaks Your Heart" Eli Young Band
       Country, at least where I am from, gets made fun of, a lot. To me though, it sounds like going home, and it's safe. Regardless of how many alternative or indie artists I promote, or how many foreign artists I cannot get enough of, sometimes there is nothing better than country music to make you feel good. Country leaves no room for weakness; the lyrics preach strength and consistently moving forward and, while they don't necessarily preach forgiveness, neither do I. I love country and the lyrics always aim at lifting you up; it's great.
- E

Lady Danville

       After Lady Danville made their announcement that Matt would be leaving the band and they would, therefore, be changing their name, I questioned even finishing this post but, if you turn a "bands to watch" post into general information about a great "band," it is so much more subjective (i.e. easier to write). Of course, the band split up (sort of; in essence, they are going back to their Mikey G and Dan from Danville days [the songs are few, but great]), but they were still amazing, and shamelessly promoting their new and upcoming, albeit unnamed, band is important. 
       An indie pop band consisting of Michael Garner, Daniel Chang, and Matthew Frankel (incorporated into the group sometime after the trio met at Awaken A Capellla at UCLA), Lady Danville formed in 2007 and won their first contest, as a trio, with their song "Tired Magician" in the Annual 98.7 Star Lounge Competition. The band has spent the last five years developing a following in Los Angeles and touring the country with bands and artists, including Ben Folds, Jack's Mannequin, Guster, Chris Conley, and Dashboard Confessional. On October 27th, the band posted an update on the facebook page which stated that Matt was going to be leaving the band and, while they were still releasing their album and continuing with their planned 2013 tour, they would be changing their band's name.
       The band should still be releasing their music video for "Operating" before their February 12th album release, then they will, officially, be whatever band name Michael and Dan have decided on. The band members themselves are amazing; they are kind of loveable. The best way to describe the member's onstage charisma is by stating the fact that, the first time my sister and I saw them live, she leaned over halfway through the first song and said "Oh my god, I love them; they're adorable". Any live performance they have done shows just how much the members appear to love performing, and that makes it so much more enjoyable. 
       The band's latest EP (Operating [you can get it on iTunes or here]) featured only three songs, but I had been waiting years for "Ships" to be recorded so I would no longer have to rely on this cafe version and was, nonetheless, excited for the short album. "Better Side" has a great video (and is a great song) and "Operating," while slow, is reminiscent of the sound on their first album (Lady Danville EP), and I cannot help but love it. 
       I was addicted to "Sophie Roux", after hearing it on Dorm Life (a song which is now available on their Tour EP, which you can get on iTunes or here) and, while "Tired Magician" is an amazing song, it almost sounds better when performed acoustically in a stairwell than it does recorded. All of the songs from the bands first EP are great and show the amazing talent for songwriting and composition which each member has. "Anthem" is a great introduction to the band and the indie pop sound they so easily create, while "Tired Magician," "Cast Away," and "Love to Love" showcase the band's talent for manipulating words and turning them into great lyrics. "David" is, in my opinion, their best song; it may not be my favorite, with all of the new songs the band has released throughout the years, but it is still the absolute best one, because the lyrics are perfect and the song is the reason that I love the band, their music, and music in general. 
       "Carolina" is one of the best end of summer songs (with it's bittersweet lyrics and sound) and their cover of "Kids" is better than the original. I spent a year playing "Cars" on repeat when I was sixteen and got my roommate hooked on it when we were eighteen (no matter how many years go by, it is still fantastic). 
       "Bed 42" is one of their best and nothing will make you fall in love with "Frames & Moulding" more than listening to it by yourself on the highway at four in the morning. If you have seen anything from Dorm Life, you've probably heard "Spoon"; it's a great song and was featured on a really fantastic show. Of course, there's "I Want You Back" or "The Uke Song," which is great live and was never released in any other format; the audience response is always great and it's one of those songs that is better in a live format than recorded in a studio. The band did release a song last year, called "Holiday Song", which is one of the best songs to play during the holidays.
       The fact that the band may have been on the precipice of fame, with their music being featured in television shows (Royal Pains and Pretty Little Liars), their first full-length album being released in February, and the promise of a 2013 tour, makes their split all the more disappointing. As much fun as I try to poke at the situation, with comments like, "I guess this shirt is a collector's item now," I am still upset about their break-up. I can only hope that Michael and Dan will have as much more, success than Lady Danville had and that the fans who have supported them for years will continue to do so now.
       Here are some sites for you guys to check out, but there will be new sites, and a band name update, to come: